Instructions for Curating a Transnational Exhibition
Thomas Michael Crannage, Genevieve Dawson, Ally Radomski, Jack Braun, Noé J Bick, William Armstrong, and George Benjamin Belmonte
Curated by Deirdre McIntosh and Nina Ankisetty
Glasgow School of Art
February 27, 2025Full exhibition installation featuring a live stream to Toronto
Instructions for Curating a Transnational Exhibition unfolded simultaneously in Toronto and Glasgow. Two curators, one in each city, have formulated and exchanged instructions to (mis)guide the other’s curatorial process.
Untitled (2 works), 2024, by Thomas Michael CrannageDetails of UntitledDetails of Untitled
instructions for curation by Nina Ankisetty
-blend into the surroundings
-find a work that looks like a song
-display words/text as art
-force the viewer into and odd position to view the work
-site specific/toronto related
-texture
-something that would taste good
-utopia // distopia
-poetry in an artwork
-pair two works that wouldn’t usually go together
Food for the Masses, 2025, by Genevieve Dawson
Details of Food for the Masses
Peacelove, 2024, by Ally Radomski
instructions for curating a show by Deirdre McIntosh
(exhibited in Toronto)
-create an unexpected conversation
-seek warmth
-leave a mark
-find a work that reminds you of what it feels like to be in a dream
-red
-frame something
-use too many or not enough nails to hang something
-generate noise
-hang something for poppy
-question every move you made
Atrophy, 2025, by Jack Braun
Pulping It, 2025, by Noé J Bick
Details of Pulping It
5 Minutes Late to Stirling Castle, 2024, by William Armstrong
Four Drawings of Huraqan: the Heart of Sky, 2025, by George Benjamin Belmonte installed in a locker on its sideDetails of
Four Drawings of Huraqan: the Heart of Sky