Instructions for Curating a Transnational Exhibition


Thomas Michael Crannage, Genevieve Dawson, Ally Radomski, Jack Braun, Noรฉ J Bick, William Armstrong, and George Benjamin Belmonte


Curated by Deirdre McIntosh and Nina Ankisetty


Glasgow School of Art
February 27, 2025
Full exhibition installation featuring a live stream to Toronto



Instructions for Curating a Transnational Exhibition
unfolded simultaneously in Toronto and Glasgow. Two curators, one in each city, have formulated and exchanged instructions to (mis)guide the otherโ€™s curatorial process.


Untitled (2 works), 2024, by Thomas Michael Crannage
Details of Untitled
Details of Untitled


instructions for curation
by Nina Ankisetty

-blend into the surroundings
-find a work that looks like a song
-display words/text as art
-force the viewer into and odd position to view the work
-site specific/toronto related
-texture
-something that would taste good
-utopia // distopia
-poetry in an artwork
-pair two works that wouldnโ€™t usually go together








Food for the Masses, 2025, by Genevieve Dawson


Details of Food for the Masses


Peacelove, 2024, by Ally Radomski


instructions for curating a show by Deirdre McIntosh
(exhibited in Toronto)

-create an unexpected conversation
-seek warmth
-leave a mark
-find a work that reminds you of what it feels like to be in a dream
-red
-frame something
-use too many or not enough nails to hang something
-generate noise
-hang something for poppy
-question every move you made


Atrophy, 2025, by Jack Braun




Pulping It, 2025, by Noรฉ J Bick


Details of Pulping It


5 Minutes Late to Stirling Castle, 2024, by William Armstrong



Four Drawings of Huraqan: the Heart of Sky, 2025, by George Benjamin Belmonte installed in a locker on its side
Details of Four Drawings of Huraqan: the Heart of Sky