๐–‰๐–Š๐–Ž๐–—๐–‰๐–—๐–Š ๐–’๐–ˆ๐–‘๐–“๐–™๐–”๐–˜๐–



Curatorial Projects
โ†’ ย Instructions for Curating a Transnational Exhibition
โ†’ ย Poster Pulse
โ†’ ย Melodies of a Farewell
โ†’ ย Stranger Fruit
โ†’ ย the buds on the trees look like pistachios

About
๐“ฝ๐“ฑ๐“ฎ ๐“ซ๐“พ๐“ญ๐“ผ ๐“ธ๐“ท ๐“ฝ๐“ฑ๐“ฎ ๐“ฝ๐“ป๐“ฎ๐“ฎ๐“ผ ๐“ต๐“ธ๐“ธ๐“ด ๐“ต๐“ฒ๐“ด๐“ฎ ๐“น๐“ฒ๐“ผ๐“ฝ๐“ช๐“ฌ๐“ฑ๐“ฒ๐“ธ๐“ผ

Danielle Vincent, Margaret Marchant, and Anita Lasek


Curated by Deirdre McIntosh and Nina Ankisetty

Youthful Vengeance
April 18 - 24, 2024
Works by Danielle Vincent, Margaret Marchant, and Anita Lasek

Spring has arrived. The bare sticks that pierce the sky sprout buds, glittering the air with signs of life. Some will wither, while others may burst with potential. This is the essence of graduationโ€”a period of ambiguity and new beginnings.

the buds on the trees look like pistachios captures the bittersweet blend of excitement and uncertainty that hangs in the air as one transitions into a new stage of life.
Danielle Vincent, Untitled Self-portrait 1 & 2













Vincentโ€™s series of indoor paintings explore the interstices that inhabit her lived spaces. She highlights the liminality that permeates all out situations, leaning into this discomfort, and reflecting on her emotions about graduating soon



















Marchantโ€™s drawings and paintings turn inwards and discover the unknowns that lie within our skin. Using the natural body as a starting point, she dives into the uncomfortable sensations that lie beneath the surface...










(Top Left) Anita Lasek, Still, studies 1 & 3, (Middle) Margaret Marchant, Reach Around the Eye, (Right) Anita Lasek, Ant & Towards Nectar






(Left) Anita Lasek, Embraced, (Right) Danielle Vincent, Memory Is A Sacred Meat (I)







Lasek seeks grounding after the familiar walls of school. With ultimate freedom in choosing what and how to create, she return to a rigorous practice of creating studies, re-introducing rudiments, and creating a foundation for her future practice.








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As days grow longer, surrendering to springโ€™s warm embrace, a liminal realm emergesโ€”ambiguous, pregnant with possibility. Like budding branches, nascent growth beckons, delicate yet resilient. It is with care that we approach these states of being, finding freedom in discomfort and change.
(Left) Margaret Marchant, Study 3, (Top) Danielle Vincent, Memory Is A Sacred Meat (II), (Bottom) Danielle Vincent, Nothing ever end (but there are always places to begin)
Exhibition opening, all photos courtesy of David Choi